Deadline has stooped to Alessandra Stanley-an lows with a horrible new piece by Nellie Andreeva implying that the increase in diverse casting for Pilot Season is possibly a bad thing because A) It means that actors of color will steal opportunities away from White actors out of “tokenism” and B) Too much diversity might be too much too soon (Over 70 years of TV can’t be ‘soon’ though).
Problem is that is most people STILL have a superficial understanding of diversity casting and what it means. Most (predominantly White) decision-makers see it as a business model rather than a way to view a wider range of stories and perspectives.
I still feel that a big way to bring the change on-camera is by diversifying voices BEHIND it. More writers, producers, directors, execs of color will make stronger decisions, and those decisions will stick. After The Cosby Show, rip-off sitcoms about Black families were tested for about three TV seasons after which the motif was abandoned because it wasn’t working. What DID work was A Different World, which told a different story despite being a Cosby spinoff. And back in 2002 when Denzel Washington and Halle Berry won Oscars in the same year, there was a brief increase in roles for Black actors, but cast mostly in those two not-so-positive molds.
The fact that this season’s breakout hits include Empire, Fresh Off The Boat, and Jane The Virgin as well as other shows with diverse casts speaks volumes about what people want to see as opposed to what Andreeva and some others think they want to see. Next fall will see television being the most diverse it has ever been, and Deadline should know that by writing this, they are causing potential damage and regression.
The article’s ‘These People’ POV has drawn the social media ire and rightfully so:
These tweets sum up a LOT of what I, and I’m sure a lot of others feel. And here’s the nonsensical article that’s been inducing some serious cringe: