If you’re anything like me, you were disappointed when Lisa Cholodenko’s was snubbed out of a Directing Oscar nomination for The Kids Are All Right in 2011 (In the same year, Debra Granik was shut out for Winter’s Bone and that upset me equally)The film did land Best Picture and Original Screenplay nods, as well as recognition for its stars, but Cholodenko was so crucial to the film being made the way it was, it just didn’t feel right to silence her auteur-like voice.
Not to make anyone an unnecessary villain, but on the other hand, there’s this cultish admiration for David Fincher. I never got The Social Network, nor did I get the praise heaped upon it. He got nominated but neither Cholodenko nor Granik got that honor. It will most likely happen again this awards season when he becomes a shoo-in for Gone Girl but Ava DuVernay will be a long shot for Selma despite the rave reviews. It’s equally noteworthy that post Kathryn Bigelow’s 2010 win for The Hurt Locker, no woman has been nominated, not even Bigelow again for the acclaimed Zero Dark Thirty.
Cut to today. A significant change in the TV landscape has been the revival of the miniseries(or ‘limited series’ or ‘event series’ based on what works for your brand). The Emmys went back to splitting the miniseries and TV movie categories this year, simply because the number of such programming is increasing vastly. Whether it’s based on the success of similar British formats or the anthology nature of American Horror Story, people are finding themselves invested in smaller episodic runs.
The tide is high, and riding the wave soon will be Olive Kitteridge, an adaptation of Elizabeth Strout’s Pulitzer-winning novel. Much like Top Of The Lake and Fargo, it’s set in a mellow coastal town with interconnected stories. Starring Frances McDormand, Richard Jenkins, John Gallagher Jr., Rosemarie DeWitt, Zoe Kazan,and Bill Murray, it premieres this November on HBO. Helmed by? None other than Lisa Cholodenko herself. It’s her first major attempt since Kids and based on the previews and hype, it’s set to be a great viewing experience.
Given what happened this year, the Emmys have their own wrongs to right, a dubious voting system that seems – arguably- broken. As a result, an oligopoly of winners just keeps on winning. The miniseries category is luckily immune to this disadvantage. I for one can’t wait for Olive Kitteridge, it will air in four parts over the span of two weeks. HBO struck miniseries gold with Angels In America and John Adams, this could be headed in the same direction.